G10H   1/00  \	0	0	5D478	G10H   1/00	99	ŵڴκΣ	Details of electrophonic musical instruments [1, 5, 2006.01]
G10H   1/00  A	0	0	5D478	G10H   1/00	2177	ŻҸڴĳڴǳڴ	electronic, stringed, wind-actuated, or percussive musical instruments
G10H   1/00  B	0	0	5D478	G10H   1/00	996	Ѵ㡥Ϥˤڴ桤ԥĥС	Voice conversion, e.g. instrument control through voice input or extraction of pitches
G10H   1/00  C	0	0	5D478	G10H   1/00	1183	ʬ۸̡㡥ĶʥСݥ֡˰̡ǣˣ̡	Mixture distribution effects, e.g. a reverberation, in general, G10K15/08, image at normal position
G10H   1/00  Z	0	0	5D478	G10H   1/00	5519	¾ΤΡ㡥̿ŸΤưС	Others, e.g. communications, power sources, and detection of body movement
G10H   1/00 101 \	1	1	5D478	G10H   1/00	108	ڶʤޤϰưŪդ	playing automatically all or part of a musical piece
G10H   1/00 101 A	1	0	5D478	G10H   1/00	147	Ͽݥΰˤ뼫ư	Automatic performance through transferring record sheets or the like
G10H   1/00 101 B	1	0	5D478	G10H   1/00	243	ץ󥸥ˤԥμư	Automatic performance with piano and the like through a plunger or the like
G10H   1/00 101 C	1	0	5D478	G10H   1/00	473	ưŪϿ֤ȤδϢ	In relation to dynamic record playback device
G10H   1/00 101 Z	1	0	5D478	G10H   1/00	864	¾Τ	Others
G10H   1/00 102 \	2	2	5D478	G10H   1/00	152	ưեǡݥκޤϼФ	creating, storing, or retrieving automatic performance data
G10H   1/00 102 A	2	0	5D478	G10H   1/00	411	ޤ	Including timbre forming mechanism
G10H   1/00 102 B	2	0	5D478	G10H   1/00	902	ȼȤȤ߹碌	Combinations with accompaniment devices or the like
G10H   1/00 102 Z	2	0	5D478	G10H   1/00	6179	¾Τ	Others
G10H   1/02  \	1	1	5D478	G10H   1/02	659	μȿ㡥åޤϥǥ椹뤿μʡüʲŪ̡㡥ӥ֥顼ȤޤϥꥵɡФμ	Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
G10H   1/04  \	2	2	5D478	G10H   1/04	62	ղŪĴˤ	by additional modulation
G10H   1/043  \	3	3	5D478	G10H   1/043	39	Ϣ³ŪĴΣ	Continuous modulation [3]
G10H   1/043  A	3	0	5D478	G10H   1/043	637	Ϣ³ŪĴ㡥ӥ֥ݥȡ饤ɡݥ륿ȡ	Continuous modulation for musical intervals, e.g. vibrato, gride, and portamento, 1/053
G10H   1/043  B	3	0	5D478	G10H   1/043	159	Ϣ³ŪĴ	Continuous modulation for timbre
G10H   1/043  Z	3	0	5D478	G10H   1/043	561	¾ΤΡ㡥ȥ	Others, e.g. tremolo
G10H   1/045  \	4	4	5D478	G10H   1/045	21	ŵŪʤˤΡΣ	by electromechanical means [3]
G10H   1/047  \	4	4	5D478	G10H   1/047	129	Ūʡ㡥žԡޤϲȿġˤΡΣ	by acousto-mechanical means, e.g. rotating speakers or sound deflectors [3]
G10H   1/053  \	3	3	5D478	G10H   1/053	240	ΤߤΤΡΣ	during execution only [3]
G10H   1/053  A	3	0	5D478	G10H   1/053	841	Ĵ	Modulation for timbre
G10H   1/053  B	3	0	5D478	G10H   1/053	746	Ĵ	Modulation for musical intervals
G10H   1/053  C	3	0	5D478	G10H   1/053	1757	ҤˤĴ	Modulated by operator
G10H   1/053  D	3	0	5D478	G10H   1/053	1169	פˤĴ㡥ݥĥեĥפˤĴ	Modulated by keyboard, e.g. modulation through key-touch, after-touch, and keyboard
G10H   1/053  Z	3	0	5D478	G10H   1/053	185	¾	Others
G10H   1/055  \	4	4	5D478	G10H   1/055	36	ѥԡǻҤͭ륹åˤΡΣ	by switches with variable impedance elements [3]
G10H   1/057  \	4	4	5D478	G10H   1/057	167	٥׷ϩˤΡΣ	by envelope-forming circuits [3]
G10H   1/057  A	4	0	5D478	G10H   1/057	504	®ٸФˤꥨ٥ݥ׷ϩ椹	Controlling envelope forming circuits by detecting the speed of keyboard
G10H   1/057  Z	4	0	5D478	G10H   1/057	1516	¾Τ	Others
G10H   1/06  \	2	2	5D478	G10H   1/06	258	ܲ¤뤿βϩ	Circuits for establishing the harmonic content of tones
G10H   1/08  \	3	3	5D478	G10H   1/08	323	Ȥ߹碌뤳ȤˤΡʣǣȣǣȣͥ表²ǣȣˡΣ	by combining tones (G10H 1/14, G10H 1/16 take precedence; chord G10H 1/38) [3, 2006.01]
G10H   1/10  \	4	4	5D478	G10H   1/10	35	饹쥹ޤϥ󥵥֥̤뤿ΤΡϢ³ŪĴǣȣˡΣ	for obtaining chorus, celeste or ensemble effects (continuous modulation G10H 1/043) [3]
G10H   1/10  A	4	0	5D478	G10H   1/10	186	ݥ饹	Chorus effects
G10H   1/10  Z	4	0	5D478	G10H   1/10	236	¾Τ	Others
G10H   1/12  \	3	3	5D478	G10H   1/12	514	ʣȷȤ뤳ȤˤΡʣǣȣǣȣͥˡΣ	by filtering complex waveforms (G10H 1/14, G10H 1/16&nbsp;take precedence) [3]
G10H   1/14  \	3	3	5D478	G10H   1/14	284	ΤΡΣ	during execution [3, 2006.01]
G10H   1/16  \	3	3	5D478	G10H   1/16	247	ǻҤˤΡʣǣȣͥˡΣ	by non-linear elements (G10H 1/14 takes precedence) [3, 2006.01]
G10H   1/18  \	1	1	5D478	G10H   1/18	112	ϩΣ	Selecting circuits [3]
G10H   1/18  A	1	0	5D478	G10H   1/18	178	ݥץ㡥󥿥ǥݡΤĴ	Key couplers, e.g. counter melody and modulation therefor
G10H   1/18  B	1	0	5D478	G10H   1/18	159	̲㡥Υ㸺֡	Controlling passing signals, e.g. noise decreasing devices
G10H   1/18  Z	1	0	5D478	G10H   1/18	2708	¾ΤΡ㡥ػ߼ʡݥץĥɽ֡	Others, e.g. means to block key information transmission and key split display device
G10H   1/18 101 \	2	2	5D478	G10H   1/18	1250	ȯΤΤΡ㡥Сݥʡ	for processing generated key information, e.g. pressed key detection and key assignor
G10H   1/20  \	2	2	5D478	G10H   1/20	296	ĴΤΤΡΣ	for transposition [3]
G10H   1/22  \	2	2	5D478	G10H   1/22	283	뤿ΤΡͥϩ֡Σ	for suppressing tones; Preference networks [3]
G10H   1/24  \	2	2	5D478	G10H   1/24	1336	ʣΥץꥻåȲ򤹤뤿ΤΡΣ	for selecting plural preset register stops [3]
G10H   1/26  \	2	2	5D478	G10H   1/26	436	ϢβưŪ˺ФΤΡΣ	for automatically producing a series of tones [3]
G10H   1/28  \	3	3	5D478	G10H   1/28	197	ڥФΤΡΣ	to produce arpeggios [3]
G10H   1/30  \	3	3	5D478	G10H   1/30	32	Ĥβ򷫤֤ȯ뤿ΤΡΣ	to reiteratively sound two tones [3]
G10H   1/32  \	1	1	5D478	G10H   1/32	209	¤κΣ	Constructional details [3]
G10H   1/32  A	1	0	5D478	G10H   1/32	536	ڥ롦С	Pedal levers
G10H   1/32  Z	1	0	5D478	G10H   1/32	2376	¾㡥ԡݥ֡Żҳڴι¤	Other, e.g. speaker placement and structure of the chassis of an electronic musical instrument
G10H   1/34  \	2	2	5D478	G10H   1/34	4407	å֡㡥ŵڴäŬ礹븰פޤϵŪåΣ	Switch arrangements, e.g. keyboards or mechanical switches specially adapted for electrophonic musical instruments [3, 2006.01]
G10H   1/36  \	1	1	5D478	G10H   1/36	1341	ȼ֡Σ	Accompaniment arrangements [3]
G10H   1/38  \	2	2	5D478	G10H   1/38	84	²Σ	Chord [3]
G10H   1/38  A	2	0	5D478	G10H   1/38	197	ħȤΡ㡥²ž	Characterised by forming following tones, e.g. chord revolution
G10H   1/38  Z	2	0	5D478	G10H   1/38	921	¾ΤΡ㡥С²׸С	Others, e.g. detection of a root or chord type
G10H   1/40  \	2	2	5D478	G10H   1/40	1741	ꥺΣ	Rhythm [3, 2006.01]
G10H   1/42  \	3	3	5D478	G10H   1/42	55	ϩޤΡΣ	comprising tone forming circuits [3]
G10H   1/44  \	1	1	5D478	G10H   1/44	333	ĴΧʡΣ	Tuning means [3]
G10H   1/46  \	1	1	5D478	G10H   1/46	982	Σ	Volume control [3]
G10H   3/00  \	0	0	5D478	G10H   3/00	17	ŵŪʤˤäȯڴ	Instruments in which the tones are generated by electromechanical means
G10H   3/00  A	0	0	5D478	G10H   3/00	38	ɿ	Vibration proofing mechanism
G10H   3/00  Z	0	0	5D478	G10H   3/00	85	¾Τ	Others
G10H   3/02  \	1	1	5D478	G10H   3/02	1	Ū³Ѥ	using mechanical interrupters
G10H   3/03  \	1	1	5D478	G10H   3/03	31	Ͽ줿ȷ㡥žǥ˵Ͽ줿ȷɤ߼뤿Υԥåå׼ʤѤΡΣ	using pick-up means for reading recorded waves, e.g. on rotating discs [3]
G10H   3/06  \	2	2	5D478	G10H   3/06	30	ťԥåå׼ʤѤ	using photoelectric pick-up means
G10H   3/08  \	2	2	5D478	G10H   3/08	21	ͶƳԥåå׼ʤѤ	using inductive pick-up means
G10H   3/09  \	3	3	5D478	G10H   3/09	9	ơפޤϥ磻ѤΡΣ	using tapes or wires [3]
G10H   3/10  \	2	2	5D478	G10H   3/10	5	̥ԥåå׼ʤѤ	using capacitive pick-up means
G10H   3/12  \	1	1	5D478	G10H   3/12	184	Ūȯ㡥ޤǷ֡ѤβŵѴˤäƥԥååפŵ򹹤˽ޤƤθ她ԡޤϤƱ֤ˤäƲѴΡΣ	using mechanical resonant generators, e.g. strings or percussion instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent device [3]
G10H   3/14  \	2	2	5D478	G10H   3/14	52	ԥåå׼ʤͭŪ˶ư뿶ưΤѤΡʣǣȣͥˡΣ	using mechanically actuated vibrators with pick-up means (G10H 3/24 takes precedence) [3]
G10H   3/14  A	2	0	5D478	G10H   3/14	205	οưΥԥĥĥ	Picking up vibrations of a membrane
G10H   3/14  Z	2	0	5D478	G10H   3/14	171	¾Τ	Others
G10H   3/16  \	3	3	5D478	G10H   3/16	229	꡼ɤѤΡΣ	using a reed [3]
G10H   3/18  \	3	3	5D478	G10H   3/18	103	ѤΡ㡥ŵΣ	using strings, e.g. electric guitars [3]
G10H   3/18  A	3	0	5D478	G10H   3/18	203	ͶƳԥĥĥ׼ʤѤ	using inductive pick-up means
G10H   3/18  J	3	1	5D478	G10H   3/18	139	ڴͶƳԥĥĥפȤη	combinations of musical instruments and inductive pick-ups
G10H   3/18  K	3	2	5D478	G10H   3/18	39	賰ǽʤ	removables
G10H   3/18  L	3	2	5D478	G10H   3/18	60	ܤθФʣΥԥĥĥפѤ	using a plurality of pick-ups for one string
G10H   3/18  B	3	0	5D478	G10H   3/18	88	ťԥĥĥ׼ʤѤ	piezoelectric pick-up means
G10H   3/18  C	3	1	5D478	G10H   3/18	237	𡤸οưθ	detection of vibrations of a bridge or string holding materials
G10H   3/18  D	3	2	5D478	G10H   3/18	111	ĹܰťԥĥĥפѤ	using long, piezoelectric pick-ups
G10H   3/18  E	3	1	5D478	G10H   3/18	106	ưãοưθ	detection of vibration transmission materials
G10H   3/18  Z	3	0	5D478	G10H   3/18	473	¾Τ	Others
G10H   3/20  \	3	3	5D478	G10H   3/20	28	åɤޤϴɤѤΡΣ	using a tuning fork, rod or tube [3]
G10H   3/22  \	2	2	5D478	G10H   3/22	59	ԥåå׼ʤͭŵŪ˶ư뿶ưΤѤΡʣǣȣͥˡΣ	using electromechanically actuated vibrators with pick-up means (G10H 3/24 takes precedence) [3]
G10H   3/24  \	2	2	5D478	G10H   3/24	13	Լʡ㡥ŪԡȤΡΣ	incorporating feedback means, e.g. acoustic [3]
G10H   3/26  \	3	3	5D478	G10H   3/26	24	ŵŪԤѤΡΣ	using electric feedback [3]
G10H   5/00  \	0	0	5D478	G10H   5/00	1045	ŻŪȯˤäȯڴʣǣȣͥˡΣ	Instruments in which the tones are generated by means of electronic generators (G10H 7/00 takes precedence) [3]
G10H   5/02  \	1	1	5D478	G10H   5/02	12	ܤβȯѤ	using generation of basic tones
G10H   5/04  \	2	2	5D478	G10H   5/04	8	ǽưǻҤȤȾƳ֤ĤΡʣǣȣǣȣͥ	with semiconductor devices as active elements (G10H 5/10, G10H 5/12 take precedence)
G10H   5/06  \	2	2	5D478	G10H   5/06	11	ܤβμȿܤޤʬˤäȯ	tones generated by frequency multiplication or division of a basic tone
G10H   5/07  \	3	3	5D478	G10H   5/07	8	ʣȷȤʤΡΣ	resulting in complex waveforms [3]
G10H   5/08  \	2	2	5D478	G10H   5/08	5	إƥˤäȯ	tones generated by heterodyning
G10H   5/10  \	1	1	5D478	G10H   5/10	14	Ȥδܤβ㡥ΤȡȯѤ	using generation of non-sinusoidal basic tones, e.g. sawtooth
G10H   5/12  \	2	2	5D478	G10H   5/12	10	ǽưǻҤȤȾƳ֤Ѥ	using semiconductor devices as active elements
G10H   5/14  \	1	1	5D478	G10H   5/14	2	ȿǻҤȤŵŪ㡥徽ưҡѤΡΣ	using electromechanical resonators, e.g. quartz crystals, as frequency-determining elements [3]
G10H   5/16  \	1	1	5D478	G10H   5/16	0	ɤѤΡΣ	using cathode ray tubes [3]
G10H   7/00  \	0	0	5D478	G10H   7/00	4729	ǡ֤ڴ㡥Żҥ륬Σ	Instruments in which the tones are synthesised from a data store, e.g. computer organs [3, 5, 2006.01]
G10H   7/00 608 \	1	1	5D478	G10H   7/00	238	ȷ̤ȷؤܤ椹뤿μʡʥåɤޤϥ쥬Ȥ켫Σǣȣ	Means for controlling the transition from one tone waveform to another (glissando or legato per se G10H1/02)
G10H   7/02  \	1	1	5D478	G10H   7/02	1106	ȷϢ³륵ץˤ뿶ͤİʾΥѤƤΡΣ	in which amplitudes at successive sample points of a tone waveform are stored in one or more memories [5]
G10H   7/04  \	2	2	5D478	G10H   7/04	290	ͤѥ졼Ȥɤ߽ФΡ㡥ԥå˽ΡΣ	in which amplitudes are read at varying rates, e.g. according to pitch [5]
G10H   7/06  \	2	2	5D478	G10H   7/06	983	ͤ졼Ȥɤ߽Ф졤ɽХɥ쥹ͤѲΡ㡥ԥå˽ΡΣ	in which amplitudes are read at a fixed rate, the read-out address varying stepwise by a given value, e.g. according to pitch [5]
G10H   7/08  \	1	1	5D478	G10H   7/08	549	ȷϢ³륵ץˤ뿶ͤؿޤ¿༰η׻ˤΡΣ	by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform [5]
G10H   7/10  \	2	2	5D478	G10H   7/10	864	Ѥ줿ޤϥѥ᡼ѤΡ㡥աꥨʣǣȣͥˡΣ	using coefficients or parameters stored in memories, e.g. Fourier coefficients (G10H7/12 takes precedence) [5]
G10H   7/12  \	2	2	5D478	G10H   7/12	369	ѤƤ룱İʾΥѥ᡼ΥåȤӣİʾԤ륵ץˤĤƷ׻줿ͤѤƵ르ꥺˤΡΣ	by means of a recursive algorithm using one or more sets of parameters stored in a memory and the calculated amplitudes of one preceding sample point or more [5]
